Modernist Style, Contemporary Play, and Ecological Lament: On Betsy Andrews’ The Bottom

10 Jun

Tom Holmes reviews Betsy Andrews’ The Bottom on The Line Break.

The Line Break

A version of this review (and a better edited version) may appear in a future issue of Redactions: Poetry, Poetics, & Prose. //

Betsy Andrews – The BottomBetsy AndrewsThe Bottom (42 Miles Press, forthcoming 2014), winner of the 2013 42 Miles Press Poetry Award, opens with the 48-page long poem “The Bottom,” which consists of 48 juxtaposed smaller poems varying in length from poems of 12 short lines to poems of 21 long lines. The poems feel like they arrive from a life experienced, or should I say, these ecological poems don’t seem a step removed from experience, as if written from only studying, or appropriating information from, texts about pollution, ecology, marine biology, etc. At the same time, this long opening poem, which is rooted in the Modernist tradition of long poems of disillusionment, exposes what lies behind the illusions from the denial of ecological harm or future…

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